Essena O’Neill was a nineteen-year-old Australian social media celebrity
with over a million of followers on Instagram, Tumblr and YouTube. She fell
victim to the constant pressure of her fellow social media personalities in
that she would edit, filter, and let corporations exploit her and her followers
to get them to buy their products. O’Neill admits that she allowed herself to
get caught up in the pressures of the glamour of social media in that she felt
as if she was getting some sort of gratification from being the prettiest,
skinniest, ideal looking girl with millions of followers all while making money
on advertisements on her social media pages. You would think that her life
really doesn’t sound that bad and that she’s just complaining about all of the
things that she is privileged by but it must have taken a toll on her mental
health and sanity with living a double life. O’Neill says that her social media
fame is the main cause of her forgetting who she really is as a person as she
was too busy fluffing up her online persona and selling products to actually
experience her real life. O’Neill expressed that there is nothing glamourous or
inspirational about the digital world as she was forced to always post perfection
and maintain an online persona that matched the profile her followers and
sponsors wanted to see. “I don’t blame anyone for my actions or how much I was
absorbed by social media, my appearance and this 2D world. It was me, I was
being deceitful, I was lost, I was sick and I needed serious help. But of
course I didn’t know that at the time. At the time I thought more money, more
of these friends, being thinner… that would solve this internal misery.”
Van Dijck explains the culture of connectivity as :
“A culture where the organization of social exchange is staked on neoliberal economic principles. Connectivity derives from a continuous pressure—both from peers and technologies--to expand through competition and gain power through strategic alliances. Platform tactics such as the popularity principle and ranking mechanisms… are firmly rooted in a ideology of that values, hierarchy, competition and a winner take all mind set” (page 21)”
“A culture where the organization of social exchange is staked on neoliberal economic principles. Connectivity derives from a continuous pressure—both from peers and technologies--to expand through competition and gain power through strategic alliances. Platform tactics such as the popularity principle and ranking mechanisms… are firmly rooted in a ideology of that values, hierarchy, competition and a winner take all mind set” (page 21)”
This
quote explains O’Neill’s feelings about the way in which she was sucked into
her online persona and forced to post things that weren’t necessarily things
that wanted to post. She was forced to maintain a certain image that will not
only sell certain products but to sell her personal image as a brand itself.
She knew that the only way to keep her celebrity was to essentially exploit
herself. O’Neill got tangled up in her social media façade that she found that
her true self was fading away. In her emotional YouTube video announcing her dismissal from social
media she states that “social media isn’t real. It’s purely contrived images
and edited clips ranked against each other…and it consumed me.” Some people believe that by pulling herself off social media
that she was just trying to pull an attention-seeking stunt to gain more
followers and go with the new trend of pulling away from the media. Some of her
“friends” even posted combat YouTube videos saying that this whole thing is a
hoax that needs to be shut down. That’s the thing with all forms of celebrity –
the friends you think you are your friends aren’t really your friends at all.
They’re just strangers who follow your life hoping to catch a free ride.
One
year later her accounts are still deactivated except for her Instagram profile
which now features only two photos – both inspirational quotes. The one quote
says “I like the real you better than the Instagram you.”
References
Kircher, M. M. (2016, November 4). Where Are You,
Essena O'Neill? Retrieved from NY Mag:
http://nymag.com/selectall/2016/11/esenna-oneill-one-year-after-quitting-social-media.html
Van
Dijck, J. (2013). The culture of connectivity: A critical history of
social media. Oxford:
Oxford University Press.
Hey Maddie,
ReplyDeleteI definitely agree with your views on Essena O'neill and the impact that she had both on and offline social media. I really liked the quote you pulled from Essena where she mentions that she know's its no ones fault but her own for the influence that social media had on her life. In this quote she states that at the time she believed that more money, followers, and online fame would make her happier but she had it completely backwards. This played a very key role in Essena's online presence because when she came to terms with the negativity surrounding her online profiles, she boycotted her fame altogether in search for a happier, healthier life. It's important to realize that social media is far from real life, which you evidently show through analyzing the story of Essena O'Neill.
Hi Maddie, I enjoyed reading your post and agree with everything you have to say. I like your position on the forms of celebrity, that the people you think are your friends are not your friends at all. For example you talked about how O'Neill's "friends" posted combat videos saying that her whole scandal was a hoax. I think its hilarious - O'Neill's actions are clearly meaningful to these people, to the point they've gone out of their way to create their own content to shame her for opening up about something very personal. O'Neill's "friends" shame her for talking about the personal struggles she's experienced from taking part in social media. Rather than appreciating the positive messages O'Neill was trying to convey, her "friends" continue to focus on the negative. Her "friends" attempted to shame O'Neill's actions in order to bring themselves to the top of the celebrity hierarchy - characteristic of the ranking mechanisms of social media that Van Dijck talks about.
ReplyDelete