The
power of media ecologies instills in the public a way of life and a source of
social experimentation and community. The platform upon which Martin Luther’s
95 Theses was shared is a lot different from the platform upon which “Pepe the
Frog” has become notorious on. Respectively each media text managed to
formulate itself as a mode of communication, affect and accumulation (Herman,
November 8, 2016).
The
95 Theses were first attached to a church door and subsequently printed onto
light pamphlets that were spread throughout the world (Standage, 2013). The
passing along of a message that had the importance to be printed on a pamphlet
and sent out to the public symbolically shows its importance and encouraged people
to read what the pamphlet contained (Standage, 2013). The widespread
consumption of such important information created a shared identity that
provoked a sign of revolution and change. In contrast “Pepe the Frog” was
articulated through the sharing on multiple media platforms and even on Donald
Trumps personal Twitter feed (Mele, 2016). This aggressive sharing of the
appropriated white ethno-nationalist meme was a
symbolic representation of Trumps attitude towards an anti democratic, anti
politician campaign. The extremely controversial images became a symbolic
representation of Trumps campaign, which preached unconventional ethics that
captured the public’s attention because of the frustration they felt over the
traditional, democrat views on change.
As a mode of affect each text was successful in creating a sense
of anger and indignation whether for the text or against the text (Herman,
November 8, 2016). In the case of Martin Luther’s Theses instigated a sense of
discontent over the current doctrine and role of the Catholic Church. He
managed to illuminate the injustices of the way society was being run and
because of this collected a gathering that all agreed and shared his same
sentiments. The ability of his work to
produce emotion was the key factor in facilitating the revolution that brought
about the change needed to readdress the role of the Church (Standage, 2013). Trumps appropriated version of “Pepe the
Frog” also managed to insight a great deal of emotion and controversy over the
anti Semitic message it portrayed. The opposition was deeply angered by the
image that was promoted by the Republicans calling it “hateful and harassing” (Mele,
2016). While in opposition the meme managed to bring together a minority of the
public that were supportive of these hateful connotations instead of provoking
anger; in its place happiness, over their views finally being addressed.
Finally the power of accumulation instigated how each text would
become a part of the public and its affect of the user. In terms of the 95
Theses Martin Luther never received any of the monetary gratification that came
from the selling of the pamphlets instead as a result of the consumption he
received large political recognition (Herman, November 8, 2016). He became the
face of change and revolution, which granted him a large amount of capitol and power,
as the people believed he could make a difference. Similarly, Donald Trumps
adoption of the meme “Pepe the Frog” into his campaign proved to gain him
political capitol and approval as people felt the meme was something they
related to and understood. The power of the message of ant-Semitism is made
evident through the proliferation of the message while Donald Trumps power
stemmed from the approval of this message.
References
Herman,
Andrew. Wilfrid Laurier University, Waterloo. 8 November 2016. Lecture.
Mele,
C. (2016). Pepe the Frog Meme Listed as a Hate Symbol. New York Times.
Standage,
T. (2013). Writing on the wall: Social media -- the first 2,000 years. New
York: Bloomsbury.
I really like this blog! You explain the mode of communication, affect and accumulation of both the 95 Theses and Pepe the frog very well. I also like the way you compare the two, it makes clear how much they have in common despite the immense time gap.
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